Seth Godin is the bestselling author of 19 books, a successful entrepreneur (founder of Yoyodyne, Squidoo, and others), has been inducted into the Direct Marketing Hall of Fame and the Marketing Hall of Fame, and was recently quoted on the TV show "Billions" (which is braggable, so I had to include it). A self- proclaimed teacher, Seth motivates and inspires countless people around the world.
In today's conversation, we talk about the state of marketing, what is working and what's not, and this critical idea of "the smallest viable audience." Seth and I also dive into some more contentious marketing topics like growth hacking (good or bad), how we can do meaningful work while avoiding the race to the bottom, how to be an agent of change, and more.
If you enjoyed today's interview, please do me a favor and share! This podcast spreads through word of mouth alone (I don't advertise). So thank you in advance for your support.
And much more...
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Last week, I wrote about starting fires.
I believe that a great idea is a spark...
And that a spark can turn into a great fire that can change our lives, as long as we bring the resources and hustle necessary to make that happen.
How then do we expose ourselves to great ideas?
The short answer:
Books are the perfect harbinger for ideas:
On that note, I want to share a few books with you that have personally sparked positive change in my own life.
These books are specifically related to business, entrepreneurship, and / or startups in some way, shape, or form, but I think many of the lessons from these books extend far beyond that subject matter.
My hope is that if even one of these books creates a spark for you like they have for me, the world (or at least the people who matter) will be a lot better off.
The book that started it all for me.
I read Poke the Box in 2011 when it was first released. It was figuratively the poke (or better yet: kick) I needed to stop talking about all the ideas I had and start bringing them to life.
This little book prompted me to start Tommorkes.com, In The Trenches, Insurgent Publishing, more recently Publishers' Empire, and continues to push me to do bigger, scarier things.
You won't find anything "how-to" in this book - instead you'll find about 96 pages of cajoling, prodding, and poking with one call to action:
Start. Today, not tomorrow.
Also, the design of the book, from the cover, to the shape, size, and weight of the book is something special. It's such an easy book to pick up, read, and share, making it truly timeless (it's also one of my biggest motivators for becoming a publisher in the first place, so I owe a lot to this book).
I'm biased here - I had the opportunity to work with Dan to launch this book (his first) to market.
That said, I loved this book from the first read through - it challenged me to reevaluate the business I was building, specifically how I was building it. Was I taking calculated and measurable action rapidly, or hiding behind research, study, and other things that don't actually allow us to validate our work?
The book itself has been a bestseller since launch, sitting next to the biggest names in business / startup nonfiction, including Peter Thiel's Zero to One (another book that made this list) and Eric Ries' The Lean Startup. The fact that the book stands next to these giants speaks for itself.
At a fluff-free 150 pages, you can read it this evening and be launching your business tomorrow.
If you're looking for a nuts-and-bolts approach to business without losing site of the 10,000 foot, strategic vision of it all, check out The Innovator's Dilemma.
This is the first book I read that hammered home the idea that every product or service is actually a "job to be done."
In other words:
Answer these questions and you have your killer app.
Trust me when I say: these questions will change everything about how you approach, build, and sell your product or service.
The Innovator's Dilemma on Amazon.
Jeff Goins, author of Wrecked and The In-Between, is getting ready to launch his latest book: The Art of Work.
Full-disclosure: because I'm working with Jeff on his new book launch I got early access to the book itself. After reading it in one sitting, I can say this: The Art of Work is an essential book for every artist, writer, and entrepreneur - and at times, it's a tearjerker (although I was born without tear glands, so I definitely didn't cry).
Jeff has an uncanny ability to approach a subject analytically yet passionately, never losing focus of the big picture (the "why"). In The Art of Work, Jeff gives us a framework for approaching our life's work - what we were meant to do - and does so with enough tough love to get us moving.
Life is too short to do what doesn’t matter, to waste your time on things that don’t amount to much. What we all want is to know our time on earth has meant something." - Jeff Goins, The Art of Work
While The Art of Work won't be officially released until mid March, Jeff is doing something really cool: he's giving away free copies of his book (you just have to pick up the shipping and handling).
So if you're looking for a powerful, easy read (that won't be so easy to forget), grab it while it's hot:
*limited time only
This book taught me to how to turn a great idea into an actionable business model, one that reduces waste (of time and money), uncertainty (the framework will help you figure out what you don't know), and fear (because your sole focus becomes validation).
I can say, without a shadow of a doubt, that Running Lean has dramatically improved my understanding of the functions and processes behind a startup and has led directly to the success of the many projects I've launched in the past year (and helped avoid bigger failures of the ones that didn't quite pan out).
This should be required reading for freshmen in high school, along with a corresponding four year track that teaches students how businesses operate, how startups work, and practical, hands-on experimentation to test out the theory in real life.
Sorry for that aside. I just think this book is incredible. I'll get off my high horse now.
Really, this should be four separate recommendations, Nassim Taleb's full incerto:
In Taleb's own words, this 4-volume incerto is:
an investigation of opacity, luck, uncertainty, probability, human error, risk, and decision making when we don’t understand the world, expressed in the form of a personal essay with autobiographical sections, stories, parables, and philosophical, historical, and scientific discussions in nonoverlapping volumes that can be accessed in any order." - Nassim Taleb
Antifragile and Nassim Taleb's corresponding incerto are some of the most valuable books I've ever read in my life. A combination of timeless philosophy, astute mathematics and statistics, and enjoyably opinionated reflection on the modern world, Taleb doesn't pull punches nor does he sell out to industry leaders, many who he unabashedly calls our for being frauds.
A must read if you're starting a new venture as it will help you build an antifragile business (a concept and term you'll grow to love as you explore Taleb's Antifragile).
Not a business book but certainly more than a book exclusively for writers, The War of Art is a rallying cry for great work.
Steven Pressfield is the author of so many bestsellers it's hard to keep track (including my favorite book of all time: Gates of Fire). This book is the culmination of a lifetime of creative work, in the trenches, day after day, struggling to get noticed and sell even a single manuscript (coming close to suicide at least once in the process).
The War of Art is a tough, brutal, uncompromising book.
Yet at its core, The War of Art is hopeful.
It teaches us that we can conquer our inner creative enemy, that we don't have to throw in the towel when things get tough, that there's always a solution if we're eager and disciplined enough to find (or create) it.
Any entrepreneur intending to do something bold in this life, read this book first.
Like many of the books on this list, I wish Crossing the Chasm had been mandatory reading in high school. Not because it's easy - quite the opposite.
It's hard, but it's necessary.
It's hard to understand what makes a great product, how to grow a company beyond early adopters, and what moves an economy at its most fundamental level (believe it or not, there's more to it than supply and demand curves) - hard but necessary if you want to create a business that makes an impact.
If you're interested in how successful companies must evolve to move from early adopters to early majority, I highly recommend Crossing the Chasm.
Assets put money in your pocket. Liabilities take money out of your pocket.
This simple phrase was enough to change the trajectory of my life, peaking my interested in real estate investing, stock investing, options trading, and eventually business, publishing, and teaching.
A short read and for some it will be painfully simplistic, but still highly recommend as a basis for what makes good investing (and good business).
I'm reaching a bit with this book, but found it important enough to share.
Frogs into Princes is not a business book. In fact, it's hard to call it a book at all. It's actually a transcription from a seminar conducted by two psychiatrists and, to my knowledge, is the foundation of what has evolved into Neuro-Linguistic Programming.
From the outside, Frogs into Princes is a book on psychology, but at its core, it teaches us how people respond to triggers. In other words, what makes someone tick - or take action.
For those creative enough, these ideas can be extrapolated into the business world, helping us create products and services - and the marketing and sales copy around the product or service - that make people want to take action (buy our stuff).
Not for easy reading, but highly recommended.
Zero to One is one of the best books on startups I've ever read.
Peter Thiel, the founder of PayPal, takes on startups, innovation, and what it takes to create the future.
Unlike Running Lean, which provides a practical framework for creating a startup, Zero to One is more conceptual in nature, challenging preconceived notions of startups, or rather: what it takes to create a truly important startup.
Important startups are companies with products or services that move the needle from zero to one.
While The 7 Day Startup challenges us to take action today and launch something fast (which I love), Zero to One challenges us to think big and act even bigger - the perfect compliment to fast action, in my opinion.
The most contrarian thing of all is not to oppose the crowd but to think for yourself.” - Peter Thiel, Zero to One
Now it's your turn:
What books are you reading this year?
Better yet, what books do you recommend the rest of us read this year?
Share below in the comments.
UPDATE: thanks to all your support, I finished my crowdfunding campaign with $12,979.00 in preorders. The last few days saw the crowdfunding campaign skyrocket - something I did not predict happening at all. This has been a whirlwind ride and I'm so grateful - so thank you! If you're interested in being notified about the book when it releases, to hear about its progress, or be the first in line to order the book when it's in all major online bookstores, sign up here.
In July 2012, Seth Godin started a campaign to fund the production of his latest book: The Icarus Deception. Godin did this through a platform called Kickstarter.com, which allowed his loyal fanbase to pledge funds to the book before it was finished and ready for distribution.
Godin set a minimum funding goal of $40,000 (enough presales for a traditional publisher to take notice and sign the book for distribution).
By the end of his 30 day campaign Godin generated $287,342 in presales of his yet to be finished and published book.
This is crowdfunding. And crowdfunding is an incredibly powerful technique that any author can use to fund his or her book…
But only if you can effectively market and promote your crowdfunding campaign.
In today’s blog post, I’m going to show you how.
Crowdfunding allows any creator the ability to pre-sell a product in order to raise the funds necessary to build and ship it.
There are three pieces to the crowdfunding puzzle:
In exchange for the support of early adopters, crowdfunding artists, writers, and creators have the opportunity to offer some pretty awesome rewards and discounts, exclusive for the length of the campaign (or until they’re sold out).
By crowdfunding, Seth raised $287,342 in just 30 days - before he had to print a single book. This was more than 7 times the minimum threshold required to fund his book production.
Ever since watching this success story in action (and many more just liked it), I’ve wanted to crowdfund a book.
Two weeks ago, I finally pulled the trigger.
Collaborate: The Modern Playbook for Leading a Small Team to Create, Market, and Sell Digital Products Online is now available for pre-order.
In less than 2 weeks, I’ve been fortunate enough to fully fund the project.
But just because I’ve fully funded my project doesn’t mean the doors are closed. If you’re still interested in being a part of Collaborate and want your advance, limited edition hardcover copy (plus access to some over-the-top rewards), go here:
Click here to support Collaborate.
Thank you so much in advance for your support.
Simon Sinek, motivational speaker and leadership instructor has a saying: “start with why.”
All great leaders and organizations - the ones people embrace and follow - have a compelling “why” or reason they do what they do.
In my opinion, this concept ought to extend beyond leadership to anything you and I do.
So before we get into the nuts-and-bolts of crowfunding, I want to show you why crowdfunding matters - financially, creatively, and otherwise - so we can better understand the how later on.
Crowdfunding isn’t simply a pre-order process - it’s an opportunity to get your biggest fans and supporters rallied around a singular goal.
The power of crowdfunding is this: it gives creators a reason to ask for support, contributions, and sharing, because we’re not simply looking for sales (conventional presale), we’re asking for help to turn an idea into reality.
For those who leverage crowdfunding the right way, it’s a meaningful experience that lets your audience, readers, and supporters be an integral part of your project.
When AJ Leon turned down a traditional publisher for his first book, some people thought he was crazy. A traditional publisher is the holy grail for authors, right?
Instead, AJ decided to activate his audience through a crowdfunding campaign and inspired them to be a part of the book he (and his happy readers) originally wanted to create.
Within a few hours of the campaign going live, AJ fully funded his book. Within 3 days, AJ had tripled his minimum funding goal.
Could AJ have been successful if he simply offered his book as a pre-order? No doubt. But by leveraging crowdfunding, AJ gave his loyal readers (me included) a great opportunity to share and spread the word. If AJ didn’t hit his minimum funding goal, the book wouldn’t exist. What an excellent opportunity to help a creator who chose himself (instead of waiting for a gatekeeper to choose him).
Ryan Hanley, the founder of ContentWarfare.com, has spent the last several years building an audience of people around the subject of spreading powerful, relevant messages that change lives.He’s done this by consistently producing and delivering actionable content on a weekly basis.
And he’s done it absolutely for free for years.
So when Ryan told me he was interested in writing a book, I directed him to Publishizer.com - a crowdfunding platform for authors.
Because Ryan had an audience and had built a reputation for himself with the work he was doing…
But he hadn’t written the book just yet.
What if he spent years writing the book only to find out his audience wasn’t ready to pay? After all, when you deliver so much high value content for free, there’s a chance that people won’t pay for your work when you put a price on it (or so some marketers gurus would say).
Long story short, Ryan launched the book on Publishizier and raised over $10,000 within 30 days.
Now Ryan knows for sure his book is something his audience wants. Even better: he has the funds to create and ship it professionally (just check out his cover courtesy of Mars Dorian).
Books take a long time to write. Good books even longer. Who wants to spend years writing a book that no one reads?
When you crowdfund your book, you’ll know within 30 days whether your idea is something people care about it.
Note: I’m not talking about hobby writing here. If you want to write a book just for the fun of it, you should, regardless if people read it. However, if you’re in the business of writing (being a paid author), you can’t ignore reach and sales.
Leo Babuta is the founder of ZenHabits.net.
For the past several years, he’s built an audience of hundreds of thousands of loyal readers who resonate with his message of simple, healthy, better living.
Because Leo has created so much consistently impactful content for his audience (notice a trend?), many of them line up to buy anything he creates no matter what it is.
If there’s one person who doesn’t need to crowdfund a book for financial reasons, it’s Leo.
Yet Leo is leveraging the power of crowdfunding to launch his latest book. He’s already more than tripled his minimum funding goal, raising over $140,000 in a couple weeks.
In the same way that crowdfunding allows us to turn our book into an event that activates and catalyzes our audience, it also creates hundreds (or in Leo’s case, thousands) of eager fans, waiting for your book. The cool part is, the person crowdfunding can include his supporters in the process of creating, printing, and fulfilling orders.
Now instead of “Hey, here’s my book. Buy it.” you have an opportunity to share your story and journey, and to make your true fans a part of the process.
Would it be nice to have dozens, hundreds, or even thousands of people eagerly awaiting your book before it ever hits the shelf?
Let’s be honest: there is still a stigma to self-publishing.
If you say you’re a traditionally published author, peoples ears perk up. If you say you self-publish your own books...well, anyone can do that…
As a boutique publisher who has published multiple books, as well as someone who has self-published his own, I know firsthand this is an unfair response. The quality of self-published books are fast approaching the quality of traditionally published books. In most cases, there’s no noticeable difference (especially if the self-published author invests the time and money to hire the right people to make it great: editors, designers, etc.).
However, a successfully crowdfunded, self-published book receives instant credibility through social proof:
And this type of social proof can be leveraged in many ways to build your personal platform.
In 2013, Natalie Sisson, founder of thesuitcaseentrepreneur.com, successfully crowdfunded her new book (appropriately titled: The Suitcase Entrepreneur). Natalie already had an established platform with a devoted following, but crowdfunding her book gave her the opportunity to activate and catalyze this audience. Not only did she fully fund her book, but when it was officially released on Amazon, it became a best-seller almost overnight.
She has since leveraged this success into appearances in major press like Yahoo Finance (among many others).
Yes, anyone can self-publish, but how many can raise thousands from their supporters before the books been written?
In the past few years, crowdfunding has blown up.
The first crowdfunding platforms started in 2003 but really gained traction in 2008 and beyond.
These included: ChipIn (2005), EquityNet (2005), Pledgie (2006), Sellaband (2006), IndieGoGo (2008), GiveForward (2008), FundRazr (2009), Kickstarter (2009), RocketHub (2009), Fundly (2009), GoFundMe (2010), Microventures (2010) and Fundageek (2011). (source)
And the trend hasn’t stopped.
There are even more crowdfunding platforms today. In fact, it feels like there’s a crowdfunding platform for every person, every niche, and every purpose on the planet.
Just yesterday I found a crowdfunding platform for combat disabled veterans. It doesn’t get more niche than that.
When it came to crowdfunding my book, there were only three real options (since I’m not combat disabled):
I’ll briefly cover each and the thought process behind why I chose the one I did (Publishizer).
Kickstarter makes the list for several reasons, not least of which is the fact that South Park ripped on them earlier this season.
In all seriousness, Kickstarter is one of the most popular crowdfunding sites on the internet. Like Google, Kickstarter is commonly used as a verb (“he kickstarted his latest book”), and has become synonymous with crowdfunding.
Every day, hundreds of new projects are started on Kickstarter. Of those, about 45% will be successful.
A couple of great reasons to use Kickstarter:
Lots of people and companies use Kickstarter to fund their projects, including many authors. The two books I’ve mentioned earlier - by AJ Leon and Seth Godin - both used the platform for their books. Leo Babuata is currently crushing his book’s funding goal right now on the platform.
That said, there are a couple reasons I didn’t go with Kickstarter:
Fees: 5% + Amazon fee (3-5%)
Indiegogo is a lot like Kickstarter - it’s a massive platform that allows people to crowdfund just about anything. However, while Kickstarter is fairly restrictive with what you can crowdfund and how you can do it, Indiegogo is much more flexible.
For example, with Indiegogo, you can set “flexible” funding as an option. So if your goal is $10,000 but you only raise $3,000, you get to keep that $3,000 (minus 9%).
Beyond the flexible funding options, Indiegogo is also known for being less restrictive when it comes to what you want to fund. Raising money for a charity? Indiegogo is fair game (Kickstarter would say no).
While I view this as a positive, it may also contribute to the fact that Indiegogo has a much higher failure rate than Kickstarter. Only 1 in 10 Indiegogo campaigns get fully funded.
Like Kickstarter, Indiegogo is a popular platform and actually receives more traffic outside of the United States. A big benefit to those of us with large audiences outside the United States.
That said, for the same reasons I didn’t choose Kickstarter, I decided to skip Indiegogo. In addition, I didn’t need the flexible funding option (not my style) nor was I looking to make this a charitable fundraiser. Add to the fact that, statistically, much fewer crowdfunding campaigns succeed on Indiegogo than other crowdfunding platforms and I knew it wasn’t the platform for me.
Fee: 4% + Amazon fee (3-5%) + wire fee ($25). For flex funding: 9%.
Publishizer is my book crowdfunding platform of choice. The founder, Guy Vincent, is remarkably involved in every project. When I decided to launch my book through Publishizer, Guy helped me flesh out my crowdfunding campaign, making sure I didn’t miss anything along the way.
While this might seem like a small detail to a “pro” (if there is such a thing in the book crowdfunding space), it was a big reason I was able to successfully fund my book in two weeks.
Like Kickstarter, Publishizer doesn’t allow flexible funding (as of this writing). In other words: you either fund your project 100% or everybody’s money is returned. This was fine with me because I actually prefer this - the alternative makes it seem more about raising money than about having your audience play an integral part in the creation of a new project.
Another positive: I had full control over how I priced my tiers and what I offered. And if you’ve checked out my book on Publishizer, you know I offer some pretty wild rewards. This was crucial for me as I wanted to do a hybrid launch (a book / infoproduct / consulting hybrid...more on this later).
Publishizer is still relatively young in the crowdfunding space. That said, I asked the founder, Guy Vincent, to share some statistics for today’s blog post that haven’t been released publicly.
Here’s a behind the scenes look at Publishizer as of this writing:
Average funds raised per campaign: $8,160
Campaign success rate: 78.3%
Avg daily page views: about 2,500
Top 3 traffic sources: Facebook, Twitter, ProductHunt
Statistically speaking, I’m much more likely to fund my book on Publishizer than I am Indiegogo or Kickstarter.
Further, on average, Publishizer campaigns raise more than Kickstarter or Indiegogo campaigns.
A quick caveat to these assertions: I don’t have “book specific” stats for Indiegogo and Kickstarter, I simply extrapolated out from the collective data. Also, the platform is young, so these figures could very well change over time.
That said, it was enough information for me to feel confident about crowdfunding on Publishizer.com.
Note: if you find book specific stats for Indiegogo or Kickstarter (or other platforms), please send them my way so I can update this article.
Fee: 30% + Paypal fee (3%).*
*Since the original publication of this blog post, Publishizer updated their offer and fee structure. They now help authors find publishers, and they have a new fee structure. This info is accurate as of January, 2018.
Once you’ve decided on which platform you want to use to crowdfund your book, the next step is preparing for the crowdfunding launch.
Quick note: everything I did for my crowdfunding campaign was based on backward-engineering successful campaigns, interviewing people who had successfully crowdfunded their books, and deep-diving into the statistics of what makes a campaign successful (as well as why campaigns fail).
I do my best to link to the source material so you can go deeper if you’re interested.
Crowdfunding isn’t easy.
If you don’t take your campaign seriously, neither will your supporters.
All successful campaigns have one thing in common: they’re planned and organized.
There’s no such thing as a successful but sloppy crowdfunding campaign (that I’ve seen or read about in my research - please share if you find one).
There are simply too many things that need to be done right, with the right execution and timing for someone to wing a crowdfunding campaign successfully (I’m sure outliers exist, but unless you’re an outlier, the better idea is to plan).
I went into this launch like I was planning Operation Overlord. That’s not to say everything was executed perfectly, but I did know all the variables and had a handle on what I should expect walking into the launch.
Like with all my projects, I started with a 1 page business model.
For books, I’ve developed my own one-page book marketing canvas, which was inspired by Ash Maurya’s Lean Canvas, but adapted for book marketing campaigns.
Download the Book Marketing Canvas
The Book Marketing Canvas helps me identify all the essential elements of launching a book from scratch. It starts with key administrative information.
Here's what it looked like for Collaborate:
Author: Tom Morkes
Publisher: Insurgent Publishing
Editor: Tom Owens
Cover Design: Harry Copeman
Title: Collaborate: The New Rules for Launching a Business Online
Launch Date: 10 Nov 14 (for the crowdfunding campaign)
Beyond the basic administrative information listed above, The Book Marketing Canvas clarifies exactly what our book is about (and why it matters), who it’s for (and how to reach them), and gives us a general idea of how we’ll sell the book (pricing options) and estimated overhead and expenses.
Here’s how I broke down the marketing canvas for Collaborate:
Who are you trying to reach with your book? Who needs to read it?
Here's what I came up with for Collaborate:
1. Solopreneurs who are struggling to create a successful business
2. Entrepreneurs who can’t find traction
3. Writers, artists, designers and inventors who want to profit off of their art/work
These are the readers who will show up first to support whatever you create. If you don't have an audience yet, this is more difficult to define (also why I recommend building an audience before crowdfunding a book).
For Collaborate, I focused on two groups (essentially the same, but segmented for tracking purposes):
1. Early Notification List. This is a list I created through my blog. Here’s the landing page I created to build this list.
2. Main List - The Resistance
Crowdfunding campaigns are only as valuable as the readers you can reach. If you don't have a clear idea of exactly how you'll reach readers (words like "luck" and "hope" don't count here), go back to the drawing board.
For Collaborate, I kept it simple:
1. 3x Blog posts leading up to the launch
2. 3x Blog posts during the campaign
3. Consistent social media presence with almost daily updates on progress and milestones. Leverage Facebook and Twitter primarily (the social media platforms I’m most active in).
There's no reason to write a book unless it's solving a problem. For business non-fiction, this problem needs to be something clearly defined (with fiction there's more leeway as fiction solves the problem of boredom).
Here's the problem I defined for Collaborate:
Solopreneurs, artists, and writers struggle with traction and turning their ideas into sustainable businesses.
Every business book solves a problem - what does your book solve?
For Collaborate, here's how I defined the solution:
A step by step guide to collaborative product development. Collaborate shows solopreneurs, writers, artists, designers, and creators of all types how to rapidly build and launch a cashflowing business in 30 days through the power of collaboration.
Too many people run into new projects with no way to measure success or failure. Luckily, for a crowfunding campaign, success and failure is pretty clear: do you hit your funding goal or don't you?
Here's what I defined as my criteria for success with Collaborate:
Consider this the "UVP" (unique value proposition) of your book. Much like a startup, every book (especially nonfiction) needs a good reason for existing. This good reason should be captivating, original, and warrant peoples attention.
Here's what makes Collaborate unique:
There are dozens of books and hundreds of articles on the topic of collaboration from a theory level, but no other book has tackled collaboration from a practical, tangible level. Collaborate is the premiere guide for those looking to start a business online rapidly online through the power of collaboration, or those who simply want to learn how to work with and lead others in a collaborative setting.
This is the section where you want to outline the various pricing tiers and corresponding rewards for your crowdfunded book. Here's what Collaborate's initial reward tiers looked like (I'll explain how I came up with these prices and tiers later on in the article):
$13 - digital
$34 - hardcover and audiobook
$47 - 3 part live webinar
$72 - the no brainer package
$107 - the 3 pack
$172 - the 5 pack
$287 - featured interview
$492 - 1 month consulting
$1,374 - 2 days with Tom
$2,992 - the lets ship it package
Stretch Goals - undecided
Here you want to itemize as accurately as possible the projected overhead and expenses from creating, printing, and shipping your book.
Here are my estimates for Collaborate:
$42 / hardcover $42 * 100 = $4,200
$1000 – cover design
$500 – interior design
$600 – editing
$500 – shipping
Approx $7,500 to break even (no profit)
Once we have The Book Marketing Canvas developed, we can extrapolate this into an outline and wireframe.
When I say outline and wireframe your book crowdfunding campaign, I mean outline and wireframe everything:
At this point, you don’t have to be 100% sure of everything. This is an exercise in thrashing and chunking (removing waste + identifying key tasks and timeline), and will help you discover what you need to do at a minimum to fund your book.
For this, I simply used Evernote to collect my thoughts, although I've had no problems using tools like Google Docs, Word, or Scrivener to do the same.
Here's what my Evernote outline looks like:
Unfortunately, a book is judged by its cover.
When it comes to crowdfunding a book, a cover is one of the most important element of the crowdfunding sales page.
To successfully crowdfund your book, you're going to need a finalized, or almost finalized, professional looking cover.
The benefit to crowdfunding your book: you can set up the funding to facilitate professional design, formatting, editing etc. S o to get my cover prepared, I sourced a great cover designer (he's actually technically a graphic designer, but I liked his style and thought he'd bring an interesting style to the book) and shared images of book covers that I liked. And these are just a few of the iterations I got back:
After a few more iterations, we ended up with the current cover - and even a name change. This is the cover I ended up going with and changed again before time of shipping the actual book, but it was enough to get my project up and running properly.
The final iteration of the cover:
I'll go in more depth in several of these areas later on. For now, this is just an overview of the essential elements of a high-converting book crowdfunding sales page:
A blurb is one sentence that summarizes your book. My blurb for Collaborate:
“Go from struggling solopreneur to successful business owner in 30 days or less through the power of collaboration.”
Your headline is nothing more than a powerful hook to get people to keep reading (easier said than done of course). My leading headline / first sentence for the Collaborate sales page:
“In less than 6 months, I generated over $77,000 in sales from part-time collaborative projects.”
My hope: that this line would be interesting enough for readers to keep them moving down the page.
Every successful campaign I've run into includes a sales video. Here are some key takeaways:
More on creating a sales video later on...
The first main body paragraph should introduce the book topic by speaking to the readers wants / desires
Next, you'll need to explain what the book is about. In reality, this part is more about the reader than the book.
This is the part where you let the reader know he / she is in the right spot.
At this point, it's helpful to have a graphic or something to help define your exact reward tiers.
This is where you give a brief bio about yourself...like the "about the book" section, this part is about the reader, not you.
You don't need a finalized table of contents, but even an outline helps people get a grasp of what you’re building.
People like to see where the money is going for projects like this, so be transparent!
When will the books and rewards be delivered? The more specific the better. Always leave room for error (generally about 3x the time you expect it to take just to be safe).
At the end of your crowdfunding campaign - much like any sales page - you want to end on a powerful call to action.
I set the goal for my book at $7,500.
First and foremost: it was the minimum I needed to create this book the right way (designer, editor, high-quality printing service, and based on a minimum order of 100 books).
Crowdfunding campaigns with a $10,000 funding goal have a 38% chance of successfully funding.
As you increase the price, your chances of success drop (at the $50k mark, your chances of success drop to 18%; at the $100k mark, it drops further to a 7% success rate).
Just as importantly, the average successfully funded project receives about $7,800.
While goals that are less than $10k have a greater chance of fully funding, there’s also diminishing returns when it comes to lowering the minimum funding goal. After all, what’s the point of starting a $1,000 crowdfunding campaign? Certainly you could reach your goal, but there’s no excitement from the point of view of the potential crowdfunding supporter.
I wanted to aim for a goal that wasn’t easy, but also didn’t set me up for failure.
And unlike Seth Godin and Leo Babauta who have hundreds of thousands of readers, my main list size is only about 1,500. It doesn’t matter if you have the best idea in the world: when you’re crowdfunding, reach is all that matters.
Based on my list size and the probability of success for crowdfunding campaigns less than $10,000, I felt comfortable I could raise $7,500 (with enough hustle).
In this excellent interview, AJ explains how Clay Hebert helped him design his massively successful book crowdfunding campaign.
What Clay suggested was this: Your reward tiers need to be a “slippery funnel” where each incremental increase in price corresponds to a drastic increase in value. In other words, every reward should pack about 10x the value of the price you set.
I took this advice to heart. I made sure that not only would contributors get the products and services I provided at a reduced price to what I would eventually sell them for, but in many cases I offered services that I have never offered nor will again (like the opportunity to work with me on a collaborative project).
While the products and services I’ll be delivering on are a bit overwhelming for me, I can confidently say each level is 10x the value of what people are paying for (which makes the crowdfunding promotion process a lot easier).
Before I decided on what I would offer for early adopters, I researched dozens of other crowdfunding campaigns and dug up what I could regarding pricing tiers and rewards. Here’s what I found:
Before I decided on my project tiers, I wanted to see what was working for other artists and authors I admired.
Here are the breakdown of two successful campaigns I looked into:
This is a breakdown of AJ Leon's campaign.
I bolded the three tiers that brought in the greatest amount of revenue to see what people were willing to pay for great rewards.
I also took a look at Craig Mod's crowdfunding campaign. Here are his numbers dissected the same way:
Like AJ, Craig had a few tiers that accounted for about 80% of his revenue.
This reinforces two points:
From my own experiments in package / tiered pricing (both Pay What You Want and fixed), I’ve also found that while the majority of people may take the lowest priced option, the highest priced option almost invariably leads to the greatest percentage of revenue.
While not a direct correlation, I also looked to general statistics on sales and upsells.
According to Clickbank, 24% of people buy an upsell after their original purchase. Using this data combined with past experience selling product with multiple price points, I knew that a percentage of my readers would be more likely to buy more than just the book if I had the right upgrade options available.
To do this I had to make sure each tier was progressively better than the last and not too much more expensive from the current purchase price that no one would buy it.
During my research, I noticed many book crowdfunding campaigns start at $1 or $5.
Yet most of what I've learned in the past few years is that the hard sell isn’t the $5 or $10 option, it’s getting the person to decide to purchase in the first place. If that's the case, why start low?
I decided to make my book accessible yet heavily discounted off of the future price by offering it at $13 on pre-order (I plan to sell this book for about $29 - $49 when it officially launches). $13 is a price that anyone who is checking out my crowdfunding campaign can afford, so I figured it’s a good place to start.
Another thing I noticed in many crowdfunding campaigns (those that fail and those that succeed) are big gaps between rewards. For example, many book crowdfunding campaigns I looked at made the jump from $5 to $25. This is a 5x multiple, which is a significant jump in what you’re asking people to commit to.
I generally don’t like to make jumps greater than 3x the previous price point, which is why I made my second tier $34 (which is only 2.6x multiple). As you look at my reward intervals, you’ll notice I basically stuck to about a 2x multiplier for every new reward.
In a nutshell, here is the formula I used to price my book rewards:
New Reward = 2x Price Multiple of Previous Reward + 10x Value
The problem set I was working with was this: if people will invest in X, how do I get them to upgrade to Y? So if someone will purchase the “3 part live, online training workshop” option, what would I need to offer them to upgrade to another perk ?
This leads me to the next important element of rewards and tiered pricing...
Crowdfunding isn’t always pretty.
There have been numerous crowdfunding campaigns that buckled under the weight of their own offer. This guy went over the deep end when he realized he couldn’t afford to ship all his books to his supporters so he burned all the books he created (don’t worry, that won’t happen with me - I have self-respect).
For Collaborate, I knew the only way I could afford to print and ship hardcover books in small quantities (on average, every hardcover costs about $42, not including shipping) would be to supplement the book costs with low marginal cost offerings, like the live webinar, the ecourse (The “No Brainer” option), etc.
For those products and services, all the time, money and effort is up front, but costs close to zero for each additional unit produced. Because of this, my average contribution level is over $80, which gives me breathing room when it comes to printing and shipping (excluding the sunk costs of design, editing, etc.).
I also organized my campaign in such a way that I could do everything remotely (save for the 2 day in-person training, which I made sure I’d be able to swing in the next 12 months). I knew the hardest thing for me would be anything that would require me to be somewhere in person (as I am on the road vagabonding a lot).
There’s a good chance I’m going into the red for this launch. The cost to print just one hardcover book is $40+ which doesn’t include shipping. Add to that the professional design and editing and I’ll probably go into debt with this project.
But this crowdfunding campaign isn’t the end in and of itself. A lot of people use crowdfunding as a one-off launch opportunity; they want to fund a project and that’s it. For me, I wanted to launch products and services that I could then scale after I built them. Case in point: I’m developing the Collaborate eCourse at the same time I’m writing the book.
This eCourse will retail at $197+ (probably more) when I launch in early 2015 (although you can get it for $72 when you pre-order The “No Brainer” Package).
This is one of the reasons I can go into the red for this launch but not worry about it - the products and services I’m delivering on are assets for my digital publishing business.
They’ll continue to create revenue into the future... (or at least as long as collaboration is an increasingly hot topic):
Don’t overcommit yourself with crazy stretch goals. A stretch goal is what you offer crowdfunding supporters once you reach certain milestones in your funding.
When I first started thrashing the rewards for Collaborate, I immediately thought of all the cool stretch goals I could incorporate for early adopters.
Things like notebooks, or a special slip cover, or mouse pads… But after brainstorming multiple stretch goals, I realized a couple things:
Most people want your main offer plus some awesome rewards or bonuses. Nobody buys into a crowdfunding campaign for a stretch goal.
Instead of trying to reach a threshold above my minimum funding goal, I wanted to focus on the minimum I needed to make this a reality. This meant ignoring stretch goals, at least until I funded my project.
If you want to know why you should include images / infographics in every sales page, read this hubspot article.
Bottom line: images / graphics are easier to understand and process and therefore = more supporters = more pre-orders.
Essentially every successfully funded crowdfunding campaign I studied used an image for their rewards and tiers. There’s no reason to change things up if they seem to be working, so I decided to create an image too.
Below is the crowdfunding graphic for Collaborate, which I placed in the middle of my sales page. This gave the text a good break and hopefully added some excitement to the purchasing process: Key takeaways for creating a rewards graphic that converts visitors into supporters:
I use the same icons that are present on my cover + the same font (for the headlines) + the same colors. This is consistent with the overall style of my book 2.
Overwhelming is okay (if it keeps peoples attention).
A crowdfunding campaign is not the time or place to create Apple-esque style, minimalist ads. I have a few minutes (if I’m lucky) to educate people on the topic and inspire them to support my campaign.
With the image, I want to give as much pertinent information as possible so people could literally back the book immediately after viewing the packages.
I also wanted to keep it all generally close together so that the reader is automatically drawn to the higher priced item.
To create my graphic, I found inspiration from multiple sources and campaigns: From left to right: Playbook by Jonathan Mead, "The Life and Times of a Remarkable Misfit" by AJ Leon, and some kind of random cooler contraption by Ryan Grepper.
These are just three of many that I studied and used as inspiration for my own graphic.
Resistance Pro Tip: Before you start your campaign, study LOTS of other successful campaigns (specifically - book campaigns). You'll notice trends that are otherwise inconspicuous, but could make a big difference in your campaign.
As you can tell, there is a fairly consistent style of crowdfunding graphic that is used, which is why I designed the graphic the way I did.
When it comes to crowdfunding a book, I don't advise a short sales page - not if you’re planning to offer anything over a couple hundred dollars (which I obviously did). Why? According to ConversionXL:
“The more complicated and/or expensive the product, the more you need to explain, show, educate, convince.”
Same rules apply to crowdfunding sales pages as they do for any sales letter:
Now while most people order the digital book for $13, there are a few people out there willing to spend $1,000 - $3,000 for a product or service. I didn’t write my sales page for the $13 supporters - I wrote it for the $3,000 supporters.
A short and sweet sales video is an important piece of the crowdfunding puzzle.
1. Because videos give us a good sense of the person behind the project. And when we back a crowdfunding campaign, unless it’s the next big tech gadget, we’re usually back the person, not the product
2. Because successfully funded book campaigns do it. And if people who are succeeding at crowdfunding are creating sales videos, I should too. I don’t have enough information to determine if it’s causation or correlation, so why mess with something that’s working? I decided to not put too much time, energy, or money into my video (instead, focusing that effort on the rest of my marketing and promotion...more on this later in the article).
A lot of crowdfunding campaigns are upping the product value on their sales videos, but after watching Seth Godin's video, I decided to keep it simple (3 points in under 3 minutes). I set up my camera, hooked up my microphone, hit record, did a few iterations (full run throughs, only restarting when I stuttered a little too much), pieced the video and audio together, and called it a success.
Here are the results:
This is just a quick 10 second intro to you, the author, so viewers get a sense of who you are.
Why should I care about what you're doing?
Assume most people don’t know what a crowdfunding camapaign is and go from there.
Because people who are listening to you deserve to be thanked.
Always end with a call to action (buy my book!) Overall, it's nothing mind blowing (except for my eyes, which you can get lost in for days), but my hope is that it gave people enough of an idea of who I am and why I believe in this project to inspire them to contribute.
For my launch, I followed the same framework I use for every launch.
Note: If you’re interested in these strategies and how they could apply to other businesses or projects, check out my free ebook: Launch Hacks.
In the following sections, I'm going to walk you through ways to effectively promote your book crowdfunding campaign. Many of these techniques I've either done myself (and will share my examples), or have seen other people use successfully.
Let me know in the comments at the bottom of this article if you have any questions about these techniques and strategies.
Content marketing is just another way of saying promoting a product or service through blog posts (or other types of content). Most people automatically ignore blatant advertisements, but when the marketing / advertising is within educational or value-add content, many more people will be interested in what you're offering.
In my opinion, content marketing is one of the best ways to market your book (I'll show you my results in the next section).
Here's how you can use content marketing for your book launch:
Guest blogging can be an effective way of building an audience rapidly.
In the context of crowdfunding, many people use guest posting to promote their crowdfunding campaigns. Here's an example of Maneesh Sethi guest posting on the Art of Manliness to promote his new bad-habit-breaking device. The benefit to doing this is clear - if you choose the right blog, you can get your idea in front of a lot of new people who will be receptive to what you're trying to fund.
For Collaborate, I purposely didn’t engage in much guest blogging. I wanted to focus my attention on my own audience.
Because of that, the only guest blog (equivalent) that went live was a short video with my friend and contributor to Collaborate, Jason Spencer of Tribe.ly.
Why not a bigger push?
Everything is a time / energy trade-off. Based on several launches I've done previously, I've founded the greatest return on my investment is from the audience I've already built. So If I'm going to guest post, it won't be for a product launch, but to build my list (which means: saving the guest posting for another time).
That said - guest posting is still incredibly powerful, so if you have the bandwidth - do it!
If you're crowdfunding a new book, your blog will be the best place to get your initial backers, as well as the best place to promote your new book.
If you don't have a blog, it doesn't mean you can't crowdfund your book (keep reading for alternative marketing channels you can use in lieu of a blog)...but really: you should start a blog. First, because your readers want to hear from you. Second, it means you have a base to launch anything you want.
This is insanely useful if you want to be a full-time author.
I'll get off my high-horse now, but if you're interested in why you should start a blog or how an author should start his or her blog, leave a comment below and I'll get back to you with more details.
Since I already have a subscriber list of about 2,000 (and about 3,000 - 5,000 visitors a month), I wanted to focus most of my efforts on the people who want to hear from me.
For the launch, I created 3 key blog posts leading up to the launch + one major one after launch.
In chronological order:
The goals of the first 3 articles was to encourage people to sign up for the "early notification list" for my book. I ended up with about 130 early notification subscribers.
Not great but not terrible.
The goal with the follow up blog post was as a reminder that the book is live and being funded.
On top of this, I also did newsletter-specific promotion + social media promotion for the book (more on this below).
Medium is a free website that lets anyone write about anything.
Because of that, there's a lot of noise.
But it also has the potential to be a quick and easy way to promote your crowdfunding campaign.
I didn’t use Medium for this launch, but I did for my last book launch, The Complete Guide to Pay What You Want Pricing, an article ended up getting over 7,000 reads.
4. LinkedIn publishing
Like Medium, LinkedIn publishing is another free and easy site to use to promote your ideas. It's also great for business-specific books (not sure how great it would be for fiction).
Here's an example of a post I wrote for my own blog that I repurposed for LinkedIn.
Why do this?
More new eyeballs means my ideas can spread farther (while still encouraging people to come back to my site and join The Resistance).
I didn’t use the LinkedIn platform for my crowdfunding campaign, but would encourage other authors to consider it as it could be a powerful tool.
Influencers are the people in your industry with audiences who will resonate with your book.
Couple things to keep in mind:
Many of the influencers for my book were people I interviewed for the book itself, including:
To get them to share, I sent them an email saying the book was live, thanked them for their involvement, and shared a click-to-tweet as well as a link to the crowdfunding page (and another link to the "support Collaborate" page).
Here's an example of a "click-to-tweet" I shared:
feeling stuck as a solopreneur? maybe you need to start collaborating. @tmorkes new book is a game changer: http://bit.ly/1zHRVDr
And here's the actual click-to-tweet: http://ctt.ec/BWz9X
Resistance Pro Tip: to create a "click-to-tweet" go to bit.ly to create a shortlink from your crowdfunding sales page, then go to clicktotweet.com, add a short description and call to action for your book (less than 120 characters is good for sharing), create the link and share it.
The majority of supporters used the click-to-tweets I shared, which helped get the word out on Twitter (although the verdict is still out on how helpful that actually is...no way to track for sure, but very few supporters for Collaborate came uniquely through Twitter).
What industry-specific podcasts do you listen to? Are there any with audiences who would benefit from your book?
These are the podcasts you want to connect with to see if you can share your book.
It helps to give podcasts a month or two advance notice - like guest blogging, many are busy and backed up for months, so you need to get in early.
Like with guest blogging, I didn’t do a heavy push for podcasts - my focal point was my own audience. Luckily, a few went live at the same time my campaign was live, which helped fill out my social media campaign (gave me something else to share rather than the campaign itself).
Besides emails to my subscribers, social media had the greatest impact on helping me hit my 100% funding goal for my book.
Here are a couple rules of thumb:
1. Focus on key social media platforms. Not all social media platforms are equal, but more importantly - choose the one you're most comfortable on and have built the largest following on (in terms of engagement). I have way more followers on Twitter but I always receive the best feedback / conversation on Facebook. So Facebook is where I put my time and energy.
2. Use social media to give status updates of your funding. This is a generally non-offensive way of marketing your book. On more than one occasion, a Facebook friend told me he saw a post of mine and decided to support the book. Because I gave almost daily updates, I increased exposure to my crowdfunding campaign, which pushed me over my funding goal.
Here's what my social media activity looked like (so you can "swipe" my updates):
I didn't use paid advertising for this campaign, but I do know people who have used paid advertising effectively for other launches, and I've used paid advertising for a number of projects.
There are always alternative sales and marketing channels for just about any product or service. For book crowdfunding campaigns, you could try:
The following is an insider look at the numbers behind my crowdfunding campaign.
My hope here is to make crowdfunding less esoteric / ambigous / overwhelming, and ultimately to inspire more people to try it out (with reasonable expectations).
If this blog post can help even 10 more authors successfully launch their books using crowdfunding, that's 10 more great pieces of art in the world that we need, and I'll consider this a success.
If you believe more artists, authors, and creators should get their work out into the world, you can help me:
DO 2 THINGS:
1. Bookmark this page for your own book launch. Do this now so you don't forget. This guide will hopefully always be around and I intend to expand on it with more data from my own launch as well as others as I collect more information. So bookmark the page so you don't lose it!
2. Share it with someone you know. There is a social share option at the bottom of this article.
If you've found this article beneficial at all, then please share it with an author you know.
Okay, onto the juicy statistics...
Here's what my final sales figures looked like:
Predictably, the majority of my sales came within the first couple days of the book going live.
Here's what traffic looked like to my crowdfunding campaign (note: it went live on 10 November):
Here's a day-by-day snapshot of money raised for Collaborate:
And here's what it looks like in a pretty graph. This shows cumulative pre-order revenue over time:
And here's what the individual daily sales looks like:
Note: If there is a discrepancy in funds raised, it's because some statistics are taken from the back-end of Publishizer, which includes shipping for international delivery. This only adds a couple hundred to total funds raised, which does not fully cover shipping but will offset it.
The daily pre-order totals isn't very useful by itself, until you overlay it with my promotion schedule.
The following shows us daily pre-orders (in orange) overlayed with daily promotions (via newsletter and Facebook - my two primary drivers of sales).
The results are pretty interesting:
What you'll notice is that there's a direct correlation between promotion and sales.
Okay, so that doesn't seem surprising...
But what is surprising (at least for me) is how great the impact of promotion is in terms of revenue generated on a daily basis.
Here is a breakdown of the newsletter emails I sent to my list, including links to the actual emails for your reference, total subscribers I who received each campaign (i.e. email), and the impact it had on day-of sales:
This is statistically significant when we compare the average sales from newsletter promotion days to non-newsletter promotion days.
If this isn't enough incentive to make sure you are constantly promoting your book during your crowdfunding campaign, I don't know what is.
On average, promotion days resulted in 18 times more sales than non-promotion days.
Since I raised 100% about a week ago, I stopped promoting this book. My goal was to get to 100% funded, which is where I'm at now. I also wanted to see if there would be any consistent momentum now that it's hit its funding goal and so many sources have promoted the book. This is not the case. If I want a new surge in pre-orders, I'll need to start promoting again.
I put a lot of work into this campaign but I've seen other people put in double or triple the work and come out wanting. I don't take this lightly. For me, it's a reminder to continue building trust with my readers so that I continue to earn their attention. This is more valuable than all the paid advertising in the world.
I think it's important to get a list of "influencers" on board to support your big launches, but the reality is this creates statistically insignificant sales compared to sales I can generate through The Resistance or my other email lists.
Without having a social media platform like Facebook, I don't think I could have fully funded my project. Second to my own email newsletters, Facebook drove the most traffic to my page. And based on the responses to many of my Facebook posts, sharing campaign status updates gave people the nudge they needed to go and support the book themselves.
Quick note: I chose Facebook because that's where I'm most active relative to other social platforms, but I've heard great things about Google+ and LinkedIn. The point isn't which one to choose, but to commit to one so that you have real people communicating and interacting with you (and you're not just spamming...which is sometimes how I feel about Twitter and other social networks).
I sent out about 50 personalized emails for this campaign asking key influencers, collaborators, and friends to share the book. What happened was not only did the majority of people happily share (thank you), but many contributed to the campaign themselves (double thank you).
Without taking the time to email, I wouldn't have hit 100% funded in two weeks (hat tip to Tyson Adams founder of Jhai Coffee House for giving me this advice and examples of how he did it!)
A lot of my advice hinges on the community (The Resistance!) I’ve built up over the past two years.
That said, even if you don’t have a big email list, plenty of successful authors have leveraged other platforms to build interest and get their book funded.
Here's what Ryan Hanley had to say when I asked him about the single most effective way he raised funds for his book:
“The power of my campaign wasn't necessarily in my list, but the Podcast and Google+ audiences I had built, which is where I got the most engagement by far.”
- Ryan Hanley, RyanHanley.com
And according to Chad Grills, he had no list at all but was able to raise over $10,000 for his book. Here's what Chad had to say:
“I launched with no email list, just my friends on Facebook, and a few Twitter followers. If you can identify a single high quality news outlet that would love to feature your project, and have a project that crowdfunding sites can't wait to promote to their customers, you're well on your way to a successfully funded project.”
- Chad Grills
And here's how Natalie Sisson leveraged her initial success and supporters to propel her crowdfunding campaign to 100%:
“The single smartest thing I did was update people who'd already pledged several times during it and giving them swipe copy and click to tweet to share the campaign - so it made it SUPER easy to share plus they were already engaged and committed to making it happen.”
Natalie Sisson, SuitcaseEntrepreneur.com
The important takeaway - even if you don't have a list, you can still leverage social media and other platforms to spread the word. And more importantly than having an email list is focusing on the people who DO support and inspiring them to share and spread the word.
There's nothing more powerful than word of mouth when it comes to turning an idea into reality.
A lot of people have asked me recently about crowdfunding their next book. I believe my (limited) success has inspired some people, which is great and makes me happy...and also nervous.
Here’s the deal - just about no one out there will tell you to not reach for your dreams. It’s negative and it’s not the type of information that gets spread. There’s a whole area of psychology that explains why this is (survivor bias), but I won’t get into it here.
But I will say I believe I’m doing people a disservice if they attempt something like this without knowing when it’s appropriate.
Crowdfunding is powerful...but like the statistics shows: it MOSTLY fails.
So maybe the best way to wrap up this blog post is to look at WHY crowdfunding fails and how you can avoid it.
“Kickstarter campaigns fail when the tribe of people who believe in the idea is too small”
- Seth Godin
If there’s one person to listen to when it comes to crowdfunding (or marketing, or book publishing, or having a toy made of you), it’s Seth Godin.
I mentioned it earlier, but Seth raised $287,342 (7 times his goal) for his book: The Icarus Deception. He was able to do this because he’s built up a tribe of million(s) over the past 20+ years. When he gets ready to release something, people line up.
According to Seth, crowdfunding is the last step, not the first.
Crowdfunding is a way to activate an audience and catalyze a movement - not a way to build one. There are exceptions and outliers to that rule, but if you can’t predictably engineer a result, why attempt it?
There’s nothing worse than putting time and energy into something that is going to fail unless statistically improbable luck plays a factor.
Much better to put the time in NOW to build a platform / tribe / gang / whatever that will support you when you are ready to rock and roll.
While crowdfunding is a great validation of what you’re building...crowdfunding itself shouldn't be used as the validation mechanism.
Your idea ought to be validated before you attempt to crowdfund its production.
If you’re just looking to raise money for a project, don’t use Publishizer, or Kickstarter, or Indiegogo - develop a business plan and pitch investors.
Or better yet: bootstrap it yourself.
Echoing the earlier lesson, crowdfunding is about activating your audience and inspiring a movement (even a small, $7,500 movement).
In a lot of cases, crowdfunding doesn't even lead to financial gain (I mentioned it earlier, but I'll be lucky if I end up in the black with this book...ouch, right?).
So if you just want to raise money to make a profit, look elsewhere...
Calling all writers, authors, bloggers and anyone else interested in writing and publishing a book in 2015 - what would you want from a crowd-funding/preorders/crowd-publishing platform for your book?
Share your thoughts / questions / ideas below so we can all learn.
Hope you enjoyed this article. It's over 10,000 words and took me over 10 hours to write. I'll continue to update as my campaign comes to a close.
And finally - if you found this valuable, please share!
Thanks, and keep creating.
- Tom Morkes
1. Topsy archive of all Collaborate related tweets part 1 (that included @tmorkes + the word "collaborate")
2. Topsy archive of Collaborate related tweets part 2 (that included @tmorkes + the word "collaboration")
Today I thought I’d try something a little different.
Instead of writing a mindblowing and inspiring blog post (at least that’s my intention with every post I write), I decided to interview a successful entrepreneur, published author and good friend of mine, Al Pittampalli.
This is the first in a series of interviews I'm doing with some really incredible people.
I'm calling it "In The Trenches: The Resistance Broadcast Interview Series"
You can probably guess the type of content we talk about, but I will say this: it's all about those people who are doing creative work, fighting the Enemy daily to build their empire, and making big things happen. The guests will include entrepreneurs, founders, CEO's, authors, bloggers, philosophers, scientists, and psychologists (among others).
You can press play below to listen to the interview immediately (it's hosted via dropbox and anyone should be able to access it - let me know if you have any problems):
UPDATE -- this interview has been republished on my podcast "In The Trenches." Click here to listen to my interview with Al Pittampalli on "In The Trenches" here.
Al knows what it means to instigate and lead, and, if you’re looking to create something from scratch successfully (aspiring writers and entrepreneurs take note), I promise this interview will blow your mind and inspire you.
There are some truly profound pieces of wisdom in here and you really need to hear them from someone who’s in the trenches and knows what it means to fight and strive for something.
So click this link to start listening.
A little more about Al Pittampalli:
Al is the founder of The Modern Meeting Company and a self-proclaimed meeting culture warrior. He's on a mission to change the way organizations hold meetings, make decisions, and coordinate action (and when you listen to the interview, you’ll see he’s most certainly doing just that).
Al is a published author. His book Read This Before Our Next Meeting was published by Seth Godin’s Domino Project, and during the week of its release it was the most popular Kindle book in the world.
Al has been featured in Forbes, the Telegraph, Huffington Post, CBS Money Watch, and many others publications.
You can read his blog and find out more about him and his company at his website: www.modernmeetingstandard.com
Al is a sought-after speaker and writer and an all-around awesome guy.
Here are just a few of the subjects we touch on:
I hope you enjoy the interview.
*note: I had originally recorded the interview on a better recording system, but that version ended up crashing on me, so what you’re listening to is the unedited, unabridged, backup version. There’s nothing sexy about it, but I think the sound quality is good enough to sit through and enjoy.
Definitely give the interview a listen and pick up Al’s book – you won’t regret it.
I’d like to hear your feedback too – let me know in the comments below or shoot me an email and let me know if you want to hear more interviews like this one!
p.s. If you haven't subscribed to The Resistance Broadcast, click the link below and receive a free copy of my book The Art of Instigating, as well as broadcasts (newsletter publications) 3 times a week - Monday, Wednesday and Friday - to help you build your empire.
This is the second post in the Seth Godin meetup series. You can find the first post here. Stay tuned and sign up for my free newsletter so you don't miss the next post in the series (hint: it's about designing a website that converts, telling a story that sells, and building a brand that people remember).
If you've been following the blog, you know I attended a Seth Godin event last week.
Seth is the marketing and writing genius behind Poke the Box, Linchpin, Purple Cow, and over a dozen other best sellers.
Below, I've compiled a list of 21 insights, lessons, thoughts, and riffs from the first day of the event.
The main ideas are Seth's, but I've taken liberty to expand and explain to make the content actionable. Enjoy!
Make being on time and shipping on time a discipline. Never be late - never ship late. Set a date and commit to it. Once you've committed to the date rather than quality, the quality of your product will go up.
Once you realize you're a teacher, it's not hard to find students.
Freelancers get paid when they work (hours for dollars), entrepreneurs get paid when they sleep.
Here’s the thing: when you're freelancing, the cheapest possible person to hire is YOU. This is dangerous. It means you’ll keep resorting to hiring yourself. And if you keep hiring yourself, there’s no one to focus on the vision or growth of the company.
So if you’re going to focus on being a freelancer, then hire someone to do the entrepreneurial aspect of your work (to manage resources and focus on growing and expanding the business) or get over your fear of doing it yourself.
People don't know what they want, so don't ask them. Build, ship, refine, repeat.
Your job isn't to persuade or change peoples minds; your job is to amplify the people who already get the joke. The people that understand and appreciate your message - those are the people you should aim to please and delight, not the stranger who doesn't get what you're saying.
Reviews don't matter (good or bad). Comments don't matter. If you worry about reviews or comments, you're letting the lizard brain hold you back.
Sales are a side effect of giving. If you give consistently and for a long time, when it's time to offer something for sale (seminar, conference, book, product, etc.), people will be ready and willing to buy it.
Instead of trying to make a sales call (which immediately puts up a wall and makes the conversation antagonistic), take people to lunch.
If you're going to write something, make sure it's worth reading. Instead of worrying about the masses, worry about the small group of people who want to hear from you. The masses won't read your book anyway - they've already read 50 Shades of Grey, their one book for the year.
Write your book only if you can say to yourself with certainty: this is going to blow the minds of 10 people. Now write out loud for these people.
Everyone wants to be on the Forbes 100 (everyone in that niche, who reads that publication); everyone wants to be on the Inc. 500 list (again, everyone in that market).
By creating a top 50, top 100, top whatever list, you make people who AREN'T on the list want to be on the list; you make people who aren't number 1 try to be number 1 next year; and you make number 1 try to stay number 1.
Creating a list is a self-feeding marketing tactic. Use it if you can.
You can't protect an idea. If you’re worried about someone stealing your idea, stop worrying. It’s a complete waste - you can't keep them from finding out eventually, so why worry?
Ideas aren't scarce. What’s scarce is doing the difficult work to bring the idea to life (because someone will quickly take your place)
Deep (meaningful, personal and few) is better than wide (shallow and many)
It's natural to feel like a fraud. It's natural to be scared of what people might think of you. Instead of stressing out over this, ask yourself this question:
If people knew your story (fully exposed) would they still buy your book?
What do you want? Do you want more customers, more readers, more clients, more revenue per share, more revenue per customer, more buzz about your product, more growth....?
Decide what you want so you know where to go.
When you're more afraid of letting people down than doing the work, you'll do the work.
Do you think Martha Stewart comes up with the apple pie recipe she makes on tv? She doesn't worry about that; she simply curates. Her NAME is what makes money – people want the product because she uses the product. If she had someone else present the material, show it off, run the show, people wouldn't want it.
We want to hear it from Martha, not Martha's team.
If you want to be an expert (in this style, form or fashion), then you can't build a team to tell people about products that they want YOU to tell them about.
Whatever you're building: you can't have insiders if you don't have outsiders. Don't be afraid to make people angry or upset at what you produce. It's important that those people exist - it means they are the outsiders and you can focus on delighting the insiders.
Don’t end the conversation when someone says no to your sale. Instead, tell them a personal story. Tell them how you felt the same way, but then you found out a new piece of information that made you change your mind (I didn't want to buy this new car, but then I took it for a test drive and found the comfort of the seats and the handling remarkable). Or explain how others felt the same way, but that was BEFORE they learned this new piece of information (ex: after they went for a test drive they changed their minds).
Writing a novel is a long, lonely journey with no immediate pay off. It's only payoff, if ever, is after a long, long time. The feedback from your effort takes a while; you have to push for a long time to get any sort of response.
Blogs, on the other hand, have a short reaction time and almost immediate feedback (push, get response).
Regardless of the feedback time, don't let "the lizard brain" neuter your storytelling (if the story you have to tell might offend people, don't change it).
People don’t want to hear what you do, they want to know what you're passionate about, what you struggle with, and they want to be told a story.
What results do you want (from your business, product, book, etc.)? The focus of what you measure will be your results (if you focus on revenue per share, you'll increase revenue per share). Your results are the consequence of where you focus.
What is your super power?
Be remarkable. Be memorable. Be something and do something that many people will hate and that others can’t live without. The more you push to the edge, the more remarkable you become.
By becoming more stereotypical, you become the person to go to for that topic/niche/market.
Don't water down your message.
Hope you enjoyed these nuggets of wisdom. If you did, I only ask 2 things:
1) Share this post with someone else (spread the love!)
2) Post a comment below and let us know how you're using these insights to improve your business, brand, or blog (or whatever you're working on!).
p.s. if you don't want to miss the next post in this series, sign up for my free newsletter.
Enjoy this post? Check out my book Notes From Seth Godin's Revolution Conference where I divulge everything I learned over the course of 2 Days with Seth Godin.
Maybe you're asking the wrong questions.
The following are 14 essential questions you need to ask yourself if you're starting (or trying to finish) anything. These questions will help you pinpoint where you're bottlenecked, as well as help you break through the hurdles you're experiencing. The following list will help you:
One last thing before we get to the list: none of it matters unless you start.
If you're not taking action, all the questions in the world can't help you write that book, build that business, or lead that organization/tribe/gang whatever.
Use these questions to clarify your proposition. But if you're stuck answering these questions (us over-thinkers tend to do this), then err on the side of bold action.
Start even if you're not sure.
Begin before you're ready.
The answers will come when you start moving.
If you said everyone, you already failed. Be specific. Now get more specific. Now get abnormal (aka seek out the fringe or the people on the edge).
Identifying the fringe/edge/abnormal of your target market is essential in order to capture the early adopters, who more eagerly spread your message.
You can learn more about early adopters in The Long Tail; suffice it to say, getting the small group of people who are SEEKING your product is much better than trying to break into the mass market (more on that below).
The majority of people (the mass market) desire safety and stability, and when given a choice, many people choose the safe route.
Here’s the thing: you don’t have the time or resources to tap into the mass market, so playing to the desires of safety and stability may not progress your goals. Since you will need to tap into the fringes, make sure you understand what they believe. Do not tap into mass market beliefs to sell to the abnormal.
Believe it or not, most people in the world have never bought something new. Shopping is a western luxury; most people in developing nations couldn’t fathom going to the store with the intent to spend money on something they’ve never used before. In many cases, spending money is life or death for these people.
Key takeaway: Focus on people who want to consume something new (and have the resources to consume it). If you're trying to spread an idea in a developing country, understand they probably don't want something new.
If they don’t, how will they find you? If they don't know you and can't find you, how can they buy from you? If you’re hoping to have someone else promote you or sell your content, you’re banking on a gate-keeper to choose you. While possible, highly unlikely. Pick yourself instead by connecting with people and making sure they know you exist!
Actionable step: Not sure how to get noticed? Why not start a kick ass blog like this one and get your name out there?
Trust is a tough word. Someone might trust you because you have integrity, but if you're a mechanic and you offer to do heart surgery on a friend, maybe their trust in you stops with car maintenance. On the other hand, if someone you know has a reputation as the best heart doctor in the world, and he tells you that you need a transplant and he'd be happy to help, you're much more likely to trust him. Trust depends on what you’re selling, what you’re making, and who you’re interacting with.
Key takeaway: Become the best in the world at what you do - be the perceived expert - and then build relationships to establish yourself as a trusted expert in that area. When people wonder who they should go to in order to develop a new line of silk shoelaces, and you design and sell silk shoelaces, there shouldn't be a question in their minds to go to anyone else.
3 ways you can connect:
Everything you’re making, whether you’re writing a book, creating a business, or leading a gang, seeks to solve a problem. If you’re writing a mystery novel, you’re solving the reader’s boredom problem. The more specifically you can identify the problem, the better you can identify how your solution solves the problem.
If you’re selling a commodity, it’s very likely someone will undercut your price. So what makes you stand out? If someone sees what you’re doing, what will keep them from beating you at your own game?
This includes costs to connect, build trust, and then actually sell the product. Even for those writing books or screenplays, it’s worth considering (at least on a conceptual level) how much time and energy you’ll need to put into getting your book or script published or sold.
This refers to the customer himself. If he buys from you, is that the end of the relationship? Or do you sell other products or services that he can come back to and buy later ? Some customers buy often and consistently, and you can predict that they’re lifetime value is much greater than a single purchase.
Example: Amazon determined their customer lifetime value was $33. That’s how much money every customer would bring in over the course of their lifetime. So any time Amazon had to decide where to spending advertising/marketing dollars, they had a standard on which to base their decisions. For Amazon, if new ad space costs more than $33 to attract a new customer, it's not worth the money.
If so, you should either be producing it that way (without losing quality), or you should get out of the game fast (somebody will undercut your prices and drive you out of business).
Speed doesn’t matter…unless it does. If one of the qualities of what you do (whether write, sell, or lead) involves the speed at which you produce/create/execute (say, daily blog posts, or one-click purchasing, or next day delivery), then be fast. Otherwise, use slowness as a characteristic of quality and let your customer know why it takes you 3 weeks to ship your product.
I hope you enjoyed this post.
If you did, check out my book for even more mind-blowing Seth Godin content:
Get "Notes from Seth Godin's Revolution Conference"
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